Giuni Russo: The Complete Discography of a Legendary Italian Singer
Giuni Russo was one of the most original and versatile singers in the history of Italian pop music. She had an amazing vocal range of almost five octaves, and she experimented with different genres and styles, from art-pop to experimental music, from rock to folk, from jazz to classical. She was also a songwriter, a producer, an actress, and a painter. In this article, we will explore her complete discography, from her debut as Giusy Romeo in 1968 to her posthumous releases in 2004.
Giuni Russo was born as Giuseppa Romeo on September 10th, 1951, in Palermo, Sicily. She started singing at a very young age, and she participated in several music festivals and contests. In 1968, she signed a contract with EMI-Columbia and released three singles as Giusy Romeo: \"No amore\", \"L'onda\", and \"I primi minuti\". However, these songs did not achieve much success, and she decided to move to Milan to pursue her musical career.
In 1974, she changed her stage name to Junie Russo and joined the band Flora Fauna Cemento. She also recorded her first album, \"Love Is a Woman\", for the German label BASF. The album was sung entirely in English and had a soul-funk sound. She released two more singles as Junie Russo: \"Milk of Paradise\" and \"Everything Is Gonna Be Alright\". In 1976, she left the band and signed with Durium Records. She released two more singles: \"In trappola\" and \"Mai\".
The Breakthrough: Giuni Russo and Energie
In 1978, she adopted the definitive stage name of Giuni Russo and moved to Rome. She met Maria Antonietta Sisini, who became her artistic partner and manager. She also collaborated with Franco Battiato, one of the most influential Italian singers and composers. She sang backing vocals on some of his albums and participated in his live shows. In 1981, she released her first album as Giuni Russo: \"Energie\". The album was produced by Battiato and had a synth-pop sound with influences from new wave and avant-garde music. The album included her first hit single: \"Una vipera sarò\", which reached the 17th position on the Italian charts.
The following year, she released another successful single: \"Un'estate al mare\", which became a summer anthem and reached the second position on the charts. The song was written by Battiato and was originally intended for Loredana Bertè, but she refused it. Giuni Russo accepted it and made it her own. The song was included in her second album: \"Vox\", which was also produced by Battiato and had a more experimental sound than the previous one. The album also featured another hit single: \"Good Good Bye\", which reached the 14th position on the charts.
The Consolidation: Mediterranea and Giuni
In 1984, she released her third album: \"Mediterranea\", which was produced by Roberto Colombo and had a more pop-oriented sound than the previous ones. The album included the single \"Mediterranea\", which reached the 31st position on the charts and became one of her signature songs. The song was inspired by her Sicilian roots and had a catchy melody with ethnic influences.
In 1986, she released her fourth album: \"Giuni\", which was produced by Mario Lavezzi and had a more rock sound than the previous ones. The album included the single \"Alghero\", which reached the 33rd position on the charts and became another one of her signature songs. The song was written by Lavezzi and was dedicated to the Sardinian town of Alghero, where Giuni Russo had spent some holidays.
The Evolution: Album and A Casa di Ida Rubinstein
In 1987, she released her fifth album: \"Album\", which was produced by Giuni Russo herself and had a more eclectic sound than the previous ones. The album included the single \"Ragazzi al luna park\", which reached the 38th position on the charts and was inspired by the movie \"The Lost Boys\". The album also featured some covers of songs by David Bowie, The Beatles, and Lucio Battisti.
In 1988, she released her sixth album: \"A Casa di Ida Rubinstein\", which was produced by Giuni Russo and Maria Antonietta Sisini and had a more sophisticated and elegant sound than the previous ones. The album was inspired by the life and works of Ida Rubinstein, a Russian dancer and actress who lived in Paris in the early 20th century. The album included the single \"Adrenalina\", which reached the 25th position on the charts and was a tribute to Maria Callas.
The Experimentation: Se Fossi Più Simpatica Sarei Meno Antipatica and Voce Prigioniera Live
In 1994, she released her seventh album: \"Se Fossi Più Simpatica Sarei Meno Antipatica\", which was produced by Giuni Russo and Maria Antonietta Sisini and had a more experimental and avant-garde sound than the previous ones. The album included some songs that were composed using a computer program that generated random melodies and lyrics. The album also featured some collaborations with artists such as Franco Battiato, Alice, Enrico Ruggeri, and Andrea Bocelli.
In 1998, she released her eighth album: \"Voce Prigioniera Live\", which was a live recording of a concert she gave at the Teatro Sistina in Rome in 1997. The album featured some of her most famous songs as well as some covers of songs by Edith Piaf, Jacques Brel, Charles Aznavour, and Leonard Cohen. The album also included a duet with Loredana Bertè on the song \"Un'estate al mare\".
The Final Years: Signorina Romeo Live and Morirò d'Amore
In 2002, she released her ninth album: \"Signorina Romeo Live\", which was a live recording of a concert she gave at the Teatro Brancaccio in Rome in 2001. The album featured some of her most famous songs as well as some covers of songs by Fabrizio De André, Luigi Tenco, and Domenico Modugno. The album also included a duet with Carmen Consoli on the song \"Un'estate al mare\".
In 2003, she released her tenth and final album: \"Morirò d'Amore\", which was produced by Giuni Russo and Maria Antonietta Sisini and had a more intimate and melancholic sound than the previous ones. The album included some songs that were inspired by her personal life and her struggle with cancer. The album also featured some collaborations with artists such as Franco Califano, Cristiano De André, and Enzo Gragnaniello.
The Legacy: Posthumous Releases and Tributes
Giuni Russo died on September 14th, 2004, at the age of 53, after a long battle with cancer. She left behind a rich and diverse musical legacy that influenced many artists and genres. After her death, several posthumous albums and compilations were released, such as \"Demo de Midi\", \"Napoli che Canta\", \"Duets\", \"Giuni Russo da Un'Estate al Mare al Carmelo\", and \"Giuni Russo - Le Più Belle Canzoni\". She also received many tributes and homages from other singers and musicians, such as Alice, Franco Battiato, Loredana Bertè, Carmen Consoli, Cristiano De André, Enrico Ruggeri, Andrea Bocelli, and many others. d282676c82